
MacLeish Sq. is a mind-bending treat for anyone with the constitution to get swept up in the spooky, the complex, and the personification of story. Must invokes the dark history and folklore of New England, which echoes throughout the long-winding conversation between the book’s two main characters. The novel alternates between John’s and Eli’s perspectives, creating a complex and layered narrative that blends realism and myth with impeccable harmony. Must skilfully portrays the psychological and emotional struggles of the characters, as well as the vivid details of their surroundings. At points, the dialogue is sparse, and at others, it is long and hypnotic. Must plays with duality masterfully in ways that highlight the book’s most prominent message. The novel also explores themes such as identity, family, art, love, and forgiveness, in a way that is both poetic and compelling.
Though few and far between, MacLeish Sq. features haunting illustrations by Russ Spitkovsky that add a delightful dimension to the narrative. His style is marked by colorless pencil drawings that emphasize line work and shadows, highlighting the book’s already eerie quality. Though the story isn’t especially action-driven, Must and Spitkovsky work together to produce an unsettling tone filled with tension that slowly shifts and morphs over time before the reader can even recognize it. Their ability to produce a kind of intellectual uneasiness — a funhouse mirror effect — is, by far, the novel’s most compelling quality. And yet, despite the unsteady ground on which most of the novel stands, its ending brings with it a surprising sense of closure and resolution.
MacLeish Sq. is a trip you don’t want to miss; Must and Spitkovsky offer a spellbinding examination of the nature of reality and the stories that we tell ourselves about who we are.
